Bregenz und Thüringen (2014). 104pp. Bregenz und Thüringen (2010). 116pp. The ninth publication of papers delivered at the Norman Douglas Symposium in Bregenz in 2016, including essays on Douglas and his circle. Fine in blue wrappers.
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Editions Delahaye 2007. 4to 128pp. An exhaustive collection of the illustrator's work, which concentrated on scouting and boys' adventure series. Fin in wrappers, as issued. One of 200 copies.
New York and Pawlet (Vt) 1947-1978. Thirty seven publications either printed or published by the legendary small press. Fredericks and Saul began the press in an abandoned basement in New York City in 1947 and Fredericks continued the work of the press after moving to Vermont to teach classics at Bennington College. For decades, Fredericks issued hand-set limited editions by writers such as Gertrude Stein, John Berryman, James Merrill, Gil Orlovitz, Stephen Spender, William Everson and Bernard Malamud. Fredericks also printed a number of smaller (although often lavish) publications as Christmas mementos and for gifts. This collection, assembled over many years, includes ephermal printing, as well as TLS from Fredericks. For a complete listing, please contact. As a teacher at Bennington, Fredericks's students included the novelist Donna Tartt, who modeled a character on Fredericks in The Secret History (1993) and dedicated The Goldfinch (2013), winner of the 2014 Pulitzer Prize. He was removed from his teaching post for a scandal involving a male student in 1992. His copious and neurotically maintained journals are on deposit at the Getty Center.
This male nude portrait is posed on a bed with several artworks on the wall. Although there is no attribution on verso, this comes from a collection of photographs that included many verified images by Platt Lynes. The image is dated "58" on verso along with an ink stamp of a hand. Please inquire for further details. Very good (7.5" x 9.5").
New York : Bibliogay.com, 2004. 85pp. The first edition of this compendium, illustrated. Fine in spiral binding.
[Beverly Hills], [©1940]. 78pp. A self-published guide to astrology, with a number of amusing observations. Inscribed to the aesthete Baron Alexis de Rede on front pastedown: "To Alexis/with admiration/A true friend". Very good in green boards, a bit faded.
Chez la petite Lolotte au Palais Royal, Paris, 1887. 204pp. An uncommon erotic work, largely ignored in the literature. Very good in original wrappers, rebound in vellum. One of 120 numbered copies (#95). Very good, a few darkened areas on final sheets. According to scholar Patrick Kearney: "The identity of 'E.D.' remains something of a mystery. Was he Edmond Dumoulin or Emile Desjardins? Both names have been proposed by sources which are normally reliable. Or perhaps, as has also been suggested, there were two authors working for the same publisher who coincidentally had identical initials. The first public suggestion that the author was Dumoulin seems to occur in the entry (no. 175) for Odor di femina in L'Enfer de la Bibliothèque Nationale (Paris: Mercure de France, 1913), the product of the combined talents of Guillaume Apollinaire, Louis Perceau and Fernand Fleuret. The note to the entry reads: "E. D. sur lequel on n'a pas beaucoup de renseignements serait, d'après les uns, un courtier en vins de Bordeaux, selon les autres un functionnaire de la Gironde. Son nom serait Dumoulin. Quoi qu'il en soit, il a publié des écrits libres, jusque vers 1900, chez H[i]rsch, chez D[u]r[i]ng[e], chez Mme R[o]b[e]rt, et chez d'autres. C'est un des plus voluptueux et le plus sensuel des auteurs sous le manteau de la fin du XIXe siècle et parlois il a de l'esprit. Ses meilleurs ouvrages sont: L'Education d'une demi-vierge, excellent roman quit devait avoir une suite, laquelle écrite, n'a jamais paru; Mémoires d'une danseuse russe, l'Odyssée d'un pantalon, Mes amours avec Victoire, Mes étapes amoureuses, Les Stations de l'amour, Les Callipyges, Jupes troussées. La reste ne vaut pas grand'chose, mais l'Education d'une demi-vierge et la Danseuse russe ont quelque sens. The force of the attribution is weakened somewhat by the fact that two of the books listed, L'Education d'une demi-vierge and Les Stations de l'amour, are by a different author entirely, most probably Adolphe Belot. Neverthless, Dumoulin's name is specifically mentioned, and I believe the source of their information to be Charles Hirsch, a French bookseller and publisher who had a shop in London in the last years of the 19th century. As a dealer in erotica, one may reasonably assume that he knew Henry Spencer Ashbee, the great English collector, and as we shall see Ashbee knew the truth of the attribution in the case of one book at least. By 1930, one of the compilers of L'Enfer de la Bibliothèque Nationale had second thoughts concerning Dumoulin. In entry no. 70.4 of his Bibliographie du Roman érotique au XIXe Siècle, Louis Perceau writes: "E. D. serait un nommé Desjardins, qui aurait été professeur de Faculté à Montpellier. Perceau's source of information is unknown to me, and neither do I know where the Christian name Emile seems first to have been used. The earliest I am aware of seems to be late 1950s reprints of Mes étapes Amoureuses which are listed below. But Edmond Dumoulin definitely wrote at least one of the 'E. D.' books, a collection of erotic verses called Rondeaux et sonnets galants (1887). Limited to just 120 copies, it is one of the rarist of the 'E. D.' books, and it is fortunate that the British Library has an exemplar in its Private Case erotica collection. It is part of the Henry Spencer Ashbee bequest, and Ashbee, who knew Auguste Brancart, the book's publisher, thoughtfully added the following pencil note to it: "Received from A. Brancart of Amsterdam. Dec. 1887. 10 francs. Author Edmond Dumoulin, St. Seurin de Cadourne, Medoc, Gironde, France." The suggestion that the pseudonym 'E. D.' might in fact belong to two separate authors with the same initials appears to have been first fielded by Peter Mendes in entry 137-A of his Clandestine Erotic Fiction in English 1800-1930. A Bibliographical Study where he points to the strong stylistic and thematic variations in the books signed 'E. D.' He develops his argument further: "…since the Ashbee note [viz. the one giving Dumoulin's name and address] appears in a copy falling into the more 'normal' heterosexial groupings, 'Desjardins' could possibly have been the author of the texts in which flagellation is the dominant motif; significantly, only 'E. D.' texts of this latter kind were translated into English in this period… Whether one author or two, all the books signed 'E. D.' were first published at Amsterdam by Auguste Brancart between 1888 (Rondeaux et sonnets) and 1892 (Maison de Verre and Mémoirs d'une danseuse russe). In all, there were eighteen separate titles published, although one of them, Après le bal (1889) was a separate publication of the third playlet included in Théâtre Naturaliste, published the same year. Nevertheless, even seventeen separate novels in the space of four years is an achievement, and lends support to Mr. Mendes' theory.
Hamburg : Schenck, 1957. Fine in wrappers.
Wiesbaden Tirana Verl. (1952). 64pp. Uncommon post-War auotobiographical novel dealing with his homosexuality during the war See Hergemoller, Mann für Mann, Biographisches Lexikon zur Geschichte von Freundesliebe und männlicher Sexualität im deutschen Sprachraum, Hamburg 1998 @123-24. Very good in wrappers, light browning to cover.
Buenos Aires: J. Suárez (1942). Number 277 of an unknown number of copies issued. Good in browned wrappers, edgewear and light sunning to wrappers.
London, E.S. Ebers. 1841. A good copy in original buff boards, front hinge starting, wear to edges and rubbing to covers. From the library of Richard Olney, with his signature on endpaper. Internally very good.
Luzarches (1978). Reissue of a classic French text, issue din an edition of 150 numbered copies (#128). From the library of Richard Olney, with his signature on endpaper. Very good in leather binding, top edge gilt.
Paris: Alyscamps Press (1994). The Ode was originally published in April 1926 in the Revista de Occidente and is considered one of the finest paeans to friendship in Spanis and Lorca greatly admired Dali's work for its symmetry, objectivity and lack of sentimentality. This English translation by Christopher Sawyer-Laucanno was issued in an edition of 100 signed broadsides (#22) and incorporates two half-tone photographs of the pair taken in the 1920s. Very good on handmade Zerkall paper (60 cm x 40 cm).
A leatherbound notebook with 15 holograph poems and various quotations, all of which relate to his Uranian interests. The preliminary page describes his hopes for the publication of the poems, some of which were eventually included in his final published volume. There are numerous amendations and corrections to the text, with several sheets excised and a number of blank sheets. Limp maroon morocco, gilt edges, some handling wear and soiling.
Paris: Les Editions Parisiennes . 249pp. A survey of the sexual attitudes of Moroccans in the 1930s, the author presents his observations as a travelogue with numerous references to prostitution and homosexuality. The book bears a printed dedication to Francis Carco, Very good in original wrappers, signature and ownership stamp on front endpages Uncommon.