This male nude portrait is posed on a bed with several artworks on the wall. Although there is no attribution on verso, this comes from a collection of photographs that included many verified images by Platt Lynes. The image is dated "58" on verso along with an ink stamp of a hand. Please inquire for further details. Very good (7.5" x 9.5").
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Editions Albert Skira, Paris, 1933. Folio, One of the series of surrealistic magazines published in Paris in the 1930s. Gaston-Louis Roux illustrated the cover. Contents cover an extensive journey of artistic discovery spanning the north-central breadth of Africa, with material on African masks, sculptures, totems, and Coptic art. A poor copy, covers a bit browned, spine missing although stitching remains intact.
New York : Bibliogay.com, 2004. 85pp. The first edition of this compendium, illustrated. Fine in spiral binding.
Nexus Press (1987). An enchanting accordion book in which two men (one straight and one gay) encounter each other on a subway...their perspectives are amusingly illustrated. Very good in lightly worn wrappers.
Bern : Kunsthalle, 1969. Exhibition catalog of the work of Ricco (Eric Wassmer) and Escher. Ricco was known for his provocative paintings of adolescent boys. Illustrated. Very good in wrappers.
Paris: La Pionniere (2000). A charming miniature accordion book with illustrations by Godin, issued in an edition of only 20 numbered copies. This is a HC example, signed by the illustrator. Very good in handmade pink wrappers.
[Beverly Hills], [©1940]. 78pp. A self-published guide to astrology, with a number of amusing observations. Inscribed to the aesthete Baron Alexis de Rede on front pastedown: "To Alexis/with admiration/A true friend". Very good in green boards, a bit faded.
Wolf: Rouen (1946). This novel about adolescent boys and homosexuality is the author's first book, written when he was the precocious age of 17. He made no secret of his attraction for adolescents and and maintained friendships with other writers of the period, including Cocteau, Gide and Roger Peyrefitte. Very good in buff wrappers, light wear to spine, one of 300 numbered copies.
An assortment of 47 gay magazines from the 1950s-70s, including Adonis (2), Body Beautiful, Mars (3), Physique Illustrated, Modern Adonis, Men and Art, Big (4), Man-Ifique, Der Weg (10), The Male Figure (6), Physique Pictorial (5), Freond, Hellas, Vox, The Young Physique (4), Demi-Gods (2), Muscleboy. Generally very good, light cover wear.
Chez la petite Lolotte au Palais Royal, Paris, 1887. 204pp. An uncommon erotic work, largely ignored in the literature. Very good in original wrappers, rebound in vellum. One of 120 numbered copies (#95). Very good, a few darkened areas on final sheets. According to scholar Patrick Kearney: "The identity of 'E.D.' remains something of a mystery. Was he Edmond Dumoulin or Emile Desjardins? Both names have been proposed by sources which are normally reliable. Or perhaps, as has also been suggested, there were two authors working for the same publisher who coincidentally had identical initials. The first public suggestion that the author was Dumoulin seems to occur in the entry (no. 175) for Odor di femina in L'Enfer de la Bibliothèque Nationale (Paris: Mercure de France, 1913), the product of the combined talents of Guillaume Apollinaire, Louis Perceau and Fernand Fleuret. The note to the entry reads: "E. D. sur lequel on n'a pas beaucoup de renseignements serait, d'après les uns, un courtier en vins de Bordeaux, selon les autres un functionnaire de la Gironde. Son nom serait Dumoulin. Quoi qu'il en soit, il a publié des écrits libres, jusque vers 1900, chez H[i]rsch, chez D[u]r[i]ng[e], chez Mme R[o]b[e]rt, et chez d'autres. C'est un des plus voluptueux et le plus sensuel des auteurs sous le manteau de la fin du XIXe siècle et parlois il a de l'esprit. Ses meilleurs ouvrages sont: L'Education d'une demi-vierge, excellent roman quit devait avoir une suite, laquelle écrite, n'a jamais paru; Mémoires d'une danseuse russe, l'Odyssée d'un pantalon, Mes amours avec Victoire, Mes étapes amoureuses, Les Stations de l'amour, Les Callipyges, Jupes troussées. La reste ne vaut pas grand'chose, mais l'Education d'une demi-vierge et la Danseuse russe ont quelque sens. The force of the attribution is weakened somewhat by the fact that two of the books listed, L'Education d'une demi-vierge and Les Stations de l'amour, are by a different author entirely, most probably Adolphe Belot. Neverthless, Dumoulin's name is specifically mentioned, and I believe the source of their information to be Charles Hirsch, a French bookseller and publisher who had a shop in London in the last years of the 19th century. As a dealer in erotica, one may reasonably assume that he knew Henry Spencer Ashbee, the great English collector, and as we shall see Ashbee knew the truth of the attribution in the case of one book at least. By 1930, one of the compilers of L'Enfer de la Bibliothèque Nationale had second thoughts concerning Dumoulin. In entry no. 70.4 of his Bibliographie du Roman érotique au XIXe Siècle, Louis Perceau writes: "E. D. serait un nommé Desjardins, qui aurait été professeur de Faculté à Montpellier. Perceau's source of information is unknown to me, and neither do I know where the Christian name Emile seems first to have been used. The earliest I am aware of seems to be late 1950s reprints of Mes étapes Amoureuses which are listed below. But Edmond Dumoulin definitely wrote at least one of the 'E. D.' books, a collection of erotic verses called Rondeaux et sonnets galants (1887). Limited to just 120 copies, it is one of the rarist of the 'E. D.' books, and it is fortunate that the British Library has an exemplar in its Private Case erotica collection. It is part of the Henry Spencer Ashbee bequest, and Ashbee, who knew Auguste Brancart, the book's publisher, thoughtfully added the following pencil note to it: "Received from A. Brancart of Amsterdam. Dec. 1887. 10 francs. Author Edmond Dumoulin, St. Seurin de Cadourne, Medoc, Gironde, France." The suggestion that the pseudonym 'E. D.' might in fact belong to two separate authors with the same initials appears to have been first fielded by Peter Mendes in entry 137-A of his Clandestine Erotic Fiction in English 1800-1930. A Bibliographical Study where he points to the strong stylistic and thematic variations in the books signed 'E. D.' He develops his argument further: "…since the Ashbee note [viz. the one giving Dumoulin's name and address] appears in a copy falling into the more 'normal' heterosexial groupings, 'Desjardins' could possibly have been the author of the texts in which flagellation is the dominant motif; significantly, only 'E. D.' texts of this latter kind were translated into English in this period… Whether one author or two, all the books signed 'E. D.' were first published at Amsterdam by Auguste Brancart between 1888 (Rondeaux et sonnets) and 1892 (Maison de Verre and Mémoirs d'une danseuse russe). In all, there were eighteen separate titles published, although one of them, Après le bal (1889) was a separate publication of the third playlet included in Théâtre Naturaliste, published the same year. Nevertheless, even seventeen separate novels in the space of four years is an achievement, and lends support to Mr. Mendes' theory.
Hamburg : Schenck, 1957. Fine in wrappers.
London, E.S. Ebers. 1841. A good copy in original buff boards, front hinge starting, wear to edges and rubbing to covers. From the library of Richard Olney, with his signature on endpaper. Internally very good.
Luzarches (1978). Reissue of a classic French text, issue din an edition of 150 numbered copies (#128). From the library of Richard Olney, with his signature on endpaper. Very good in leather binding, top edge gilt.
Paris: Alyscamps Press (1994). The Ode was originally published in April 1926 in the Revista de Occidente and is considered one of the finest paeans to friendship in Spanis and Lorca greatly admired Dali's work for its symmetry, objectivity and lack of sentimentality. This English translation by Christopher Sawyer-Laucanno was issued in an edition of 100 signed broadsides (#22) and incorporates two half-tone photographs of the pair taken in the 1920s. Very good on handmade Zerkall paper (60 cm x 40 cm).
A leatherbound notebook with 15 holograph poems and various quotations, all of which relate to his Uranian interests. The preliminary page describes his hopes for the publication of the poems, some of which were eventually included in his final published volume. There are numerous amendations and corrections to the text, with several sheets excised and a number of blank sheets. Limp maroon morocco, gilt edges, some handling wear and soiling.
Paris: Les Editions Parisiennes . 249pp. A survey of the sexual attitudes of Moroccans in the 1930s, the author presents his observations as a travelogue with numerous references to prostitution and homosexuality. The book bears a printed dedication to Francis Carco, Very good in original wrappers, signature and ownership stamp on front endpages Uncommon.
Munich: Bartsch & Chariau (1992). 28pp. An elegantly produced collection of Le-Tan's watercolor drawings of individuals and architectural spaces, with an introduction by Piotr Alexander. One of 60 numbered copies with an original signed and numbered etching laid in to the text. Very good in wrappers.