Mexico : Talleres Graficos de la Nacion, 1925. 29pp.
An unusual Mexican character, often outrageously demonstrative in his homoseuxality, he was fond of outrageous wigs....The author's first publication, One of 200 copies. Salvador Novo López (1904 –1974) was a Mexican writer, poet, playwright, translator, television presenter, entrepreneur, and the official chronicler of Mexico City. As a noted intellectual, he influenced popular perceptions of politics, media, the arts, and Mexican society in general. He was a member of Los Contemporáneos, a group of Mexican writers, as well as of the Mexican Academy of the Language. Novo defied the machismo and conservative Catholicism prevalent in 20th century Mexican culture by making almost no efforts to conceal his sexuality. He was, however, accepted by the Mexican government. He held official posts related to culture, was elected to the Mexican Language Academy, and had a television program on Mexico City's history. Towards the end of his life, he dyed his hair a bright carrot color and wore many ostentatious rings and colored suits. He has been compared to Oscar Wilde, but unlike Wilde, Novo never suffered the setback of scandal or persecution and remained an accepted and respected member of society and governmental circles until his death. In fact, some sectors resented the fact that a gay writer would align himself so closely with the government and media after the repression of social movements in the 1960s and 1970s.
Salvador Novo was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía 1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation.