Traité de la l'Hysterie
Paris: Bibliothèque Médicale (1903). 128pp. One of a series of books on sexology and mental disease. Good in original wrappers, wear to covers and spine. More
Paris: Bibliothèque Médicale (1903). 128pp. One of a series of books on sexology and mental disease. Good in original wrappers, wear to covers and spine. More
Paris: Bibliothèque Médicale (1903). 128pp. The history, causes and cures for onanism, penned by the former medical doctor who worked for the police prefecture in Paris at the turn of the century. One of a series of books on sexology and mental disease. Good in original wrappers, wear to covers and spine. More
Paris: Inversions (1924-1925). 4to. A complete set of the extremely rare magazine dedicated to homosexual issues in France. Although Fersen's journal Akademos is often cited as the first gay journal, Inversions (and its successor L'Amitie) were far more explicit in their open treatment of gay issues. The editors were not part of Parisian literary circles, but managed to obtain contributions from some of the most forceful proponents of homosexual rights, many of which contributed under pseudonyms: Numa Praetorius , St. Ch. Waldecke , Louis Estève , Willy , G. Pioch, Claude Cahun , Georges d'Autry, Pierre Guyolot-Dubasty (Axieros) , Marcel Dartus, Havelock Ellis and Camille Spiess. Four issues of the magazine were produced before formal complaints were made about its content (one objector called it an "official review of pederasty, which clearly proclaims its ignoble program") which lead to an official prosecution. In April of 1925, the magazine changed its name to L'Amitie in an effort to forestall the prosecution, but the principals were eventually convicted of "d'outrage aux bonnes mœurs et de propagation de méthodes anticonceptionnelles" and the two editors were incarcerated for three months. The magazines were printed on inexpensive acidic paper and as a consequence deteriorated rapidly and rarely appear in commerce. This set is in fair condition- all pages are present but many are laid into marbled boards, with browning and chips to edges. Laid in is a 1 pp.TLS regarding Claude Cahun's contribution to L'Amitie. There is a long pencilled notation on the front endpaper about the history of the magazine from the previous owner (noting that he has never seen another collection). More
Lisbon: Typographia do Annuario Commercial (1919). 4to. 55pp. An uncommon musical score by the Portuguese aesthete and lyricist poet. A collaboration between Botto and Nicolau d'Albuquerque Ferreira, who contributed the music and António Carneiro, who contributed the illustrations. Good in decorative boards, some damage to spine, corners a bit bumped, small bookplate on front paste down, inscription on endpaper in an unknown hand. Quite uncommon. More
NP: ND (1990). 4to. A series of eight posters bemoaning Helms' morally deficient views on AIDS, immigration, poverty and other issues in his 1990 Senate race. Very good, laid into wrappers, which have a bit of wear to edges. More
Leipzig (1909). 8pp. An offprint from Anthropophyteia; Jahrbucher fur folkloristische erhebungen und forschungen zur entwicklunggeschichte der geschlechtlichen moral. Near fine in stapled wrappers, one illustration. More
Cucuverville: a l'Enseigne des deux prix Nobel (2020). 26pp. Previously unpublished correspondence between Martin du Gard and Pierre Herbart, both of whom had close relations with Andre Gide and were privy to issues related to his sexuality. One of only sixteen hand numbered copies. Fine as issued. More
München: Musarion-Verlag [1922]. 73pp. Uncommon collection of Sapphic poetry accompanied by a title drawing and three plates based on ancient models. Very good in decorative faded pink boards. No copies in WorldCat. More
NP: Paris-London (1925). The complete set of these three works, all of which went through numerous editions over the years. Three volumes in pink wraps with black and red titles. Some fading to spines, edge-wear, light shelf-wear. Pia (@ 1290-91) indicates that each volume contained 12 pouchoir images, although the copies at the Bibliotheque Nationale (Enfer 1228, 1229, 1230) are incomplete. Our examples contain 25 images laid into the rear of the volumes (12 in La Veuve Amoureuse and 12 in Miss Frankland, 5 in Madame Benson) although it is unclear which illustrations were destined for each volume. The images represent a variety of sexual encounters, including several gay subjects. Uncommon. More
Kallipygos Pers: La Haye (2021). 427pp. Perhaps the most comprehensive examination of the decadent aesthete's legal travails, with numerous illustrations and previously unpublished material. An elegant production, fine as issued in fine jacket. More
Amsterdam: Jacques. van Cleef (1904). 228pp. The second (largely re-written) edition of this early gay classic. The first edition included a veiled reference to A. Aletrino, which precipitated his purchase and destruction of nearly all copies. According to the scholar Paul Snyders, the second edition is in some ways more open than the first, with a completely different style. Very good in later marbled boards. More
Frankfurt (1590-1594). This enthralling engraving is from Theodor De Bry's significant historical work Grands Voyages. This from the first edition, Latin issue with this particular engraving being published in Frankfurt between 1590 and 1592 for de Bry by Sigismund Feyerabend. Grands Voyages is considered one of the most remarkable collections of voyages published in the Age of Discovery. Believed to be the first representation of homosexuality ever printed, the engraving depicts a gory scene of eight Spanish conquistadores watching their dogs kill a group of Indians. Balboa set his dogs on forty to fifty people of Quarequa described as being “dressed as women” (Martyr 1912 [1516]:285), or having committed the nefarious sin (pecado nefando). See https://www.colorado.edu/genders/2016/05/19/los-huecos-negros-cannibalism-sodomy-and-failure-modernity-tierra-firme. The text includes the following statement: "Greatly astonished he [Balboa] ...understood that the kinglet and all of his courtiers were smitten by that abominable crime against nature so stunned him ...that he went up to forty of the savages, bade them all be seized and bringing in the dogs he ordered the savages be torn to pieces." Very good, light wear and yellowing, small holes. 9" x 13". Rare. More
London: David Nutt in the Strand (1894). 168pp. The only published prose collection by the eccentric Estonian count, a highly praised collection of macabre stories. Stenbock, a contemporary of Oscar Wilde, was "bizarre, fantastic, feverish, eccentric, extravagant, morbid and perverse" according to Arthur Symons and many others shared similar thoughts about the gay poet, whose life ended the year following publication of this collection at age thirty-five. See Adlard, Stenbock, Yates and the Nineties; Young 3631* A good copy of a quite rare book with cover illustration by the author, light cover wear, corners lightly bumped, front cover a bit darkened, rear cream boards lightly stained. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 401. Locke, A Spectrum of Fantasy Volume II, p. 104. See Tymn (ed), Horror Literature 3-227. Bleiler (1978), p. 186. Reginald 13606. More
Berlin: Gmunder (1985). Fine in wrappers. More
San Francisco: Perineum (1984). Fie in wrappers, inscribed by the author. More
Lionel Wendt (1900-1944) was a modernist Sri Lankan photographer and the leader of ‘43 Group. Gelatin silver print, circa 1935-1940. 13 1/2 " x 11". From the artist's studio; by descent to the present owner. Christie's 2002. Wendt's work is largely unknown by a wider audience, but his photographs of nudes and Sri Lankan scenery are stunning examples of photography. More
Rouen: Association des Amis d'Hugues Rebell (1994). 108pp. A collection of writings about Wilde's incarceration by a number of French writers, including Stuart Merrill, Jean Lorrain, Laurent Tailhade and others. One of 500 copies, very good in wrappers, light wear to covers. More
London: Chapman and Hall (1891). 3 vo., 8vo. The first edition of this three volume experimental novel about a troubled marriage. The highly regarded writer had a wide group of friends, including Dante Gabriel Rossetti, Algernon Charles Swinburne and Robert Louis Stevenson. Oscar Wilde was also an admirer: "Ah, Meredith! Who can define him? His style is chaos illumined by flashes of lightning". Original publisher’s blue cloth decorated in black, gilt–lettered spine. Very good, light darkening to spine, light edge wear to edges, head and tale of spine. Marc–André Raffalovich's copy with his bookplates (by Austin Osman Spare) in each volume. More
Vintage portrait of young male in profile taken by anonymous photographer (c. 1960s/70s). (9.5" x 7 3/4"). Ink stamp on verso and penciled notations. More
Portrait of shirtless male at the beach taken by an unknown photographer (1960s/70s). (6 1/2" x 7 1/2"). Ink stamp on verso and penciled notations. More
Two vintage photographs of a male model (likely taken in Italy in the 1950s/60s). (9 1/2" x 12"). Very good with silvering at edges. More
Portrait of a young male in swimming trunks by an unknown photographer. (3 1/2" x 7 1/2"). Appears to date to the 1960/70s. Ink stamp on verso and penciled notations. More
Vintage photograph of La Piazzetta in Capri taken by Islay Lyons in the early 1950s. (10" x 10"). Very good. More
Vintage photograph (1950s) of the Fontana dei Dioscuri in Rome. Photographer's stamp on verso along with penned notations. (14" x 11 3/4"). Very good condition. More
Vintage portrait of the acclaimed novelist taken at a luncheon in Capri at the home of Kenneth Macpherson and Islay Lyons (Nancy Cunard and Norman Douglas were also in attendance). Taken by Lyons in the early 1950s, stamped on verso with penned notation. (7" x 9"). Very good condition. More