Refine search resultsSkip to search results
Amsterdam: F. van Rossen (1908). 78pp. Aletrino was a prolific Dutch writer and a lecturer on criminal anthropology in Amsterdam and was one of the earliest Dutch advocates of homosexual rights, widely respected in his field. In 1903 he visited Magnus Hirschfeld in Berlin and discusses his observations in Hermaphrodisie en uranisme. See Bleys, The Geography of Perversion: Male-To-Male Sexual Behavior Outside the West. Very god in original wrappers, small signature on front cover, light sunning to edges, light spotting to foredge.
NP: ND (1931). This important and explicit gay novel about the love between two men appeared anonymously in 1931 in a small edition of only 90 numbered copies (this is #27). The author, a close friend of André Gide, lived in Carcasonne for most of his life and published several other books of poetry, but this work is his rarest and most explicit. Published by the famed publisher of erotic texts, René Bonnel, and with an explicit engraved frontispiece by the Catalan artist Pere Créixams, the work has been described as one of the great treasures of erotic literature. Quite rare, with the original erotic frontispiece laid in. A near fine copy in green wrappers. Pia 1283.
Dresden: E. Piersons Verlag (1901). 161pp. An early German novel with a strong undercurrent of homosexuality, wherein the protagonist strives for "high ideals" and exaggeratedly rejects females "before it degenerates into unnatural passion". Baron Baillou published several books on esthetics and philosophy, but is largely unknown. Very god in contemporary marbled boards, wear and short tears to linen spine. Quite rare.
London: Barrington (1970-71). Issues 1-4 of this short-lived publication, each limited to 250 copies. Barrington had been imprisoned for publishing pornography in the 1960s and issued these publications in a more limited way in order to avoid legal problems. Each issue contains images of male nudes printed on Barrington's lithography machine, bound in blue stapled wrappers. See Smith, Physique: The Life of John S. Barrington @184. Uncommon.
The artist, a bi-sexual Englishman, was one of the more prominent purveyors of nude male magazines and photographs in the post-war period, some of which earned him time in prison. He published magazines such as "Man to Man" and "Golden Boys" and assorted others, but he also self-published several books with more serious allusions, such as the "Superb Youth," series which attempt to cross the line into more conventional "artist's books." Notwithstanding this pretense, the books contain a wealth of well-endowed and quite attractive young men in assorted provocative poses. This profile portrait on “scraper board” measures 15.25” x 12”, signed “JB ’59” at lower left, a few light surface cracks.
San Francisco: Running Elk (1966). A collection of forty-two homoerotic linoleum block illustrations by the Beat painter, Rick Barton and printed by Grabhorn-Hoyem Press on fine rag paper. The book was finished several months before Barton went blind in one eye and is a testament to his great talents as a creative artist. Some of the images portray his circle of friends, including his onetime lover Kenneth Anger, his publisher Harold La Vigne and his assistant David Nelson. The linocuts are printed on individual sheets and laid into a paper portfolio, signed by Barton and Nelson on the title page. The edition is one of 100 numbered copies. A very good copy in original brown wrappers.
Paris: Rollin et Feuardent (1902). 8vo. 32 plates. A quite rare catalog of coins and medals donated by Carlos de Beistegui to the French state. Beistegui assembled another collection later in life, also donated to the French state. Very good in original wrappers, light wear, uncut. A rare publication comprised of the relevant portion of the 1902 Rollin & Feuardent sale catalogue of Meyer’s fine collection of French coins, combined with a long preface. The Avant-Propos details de Bestegui’s acquisition en bloc of this outstanding collection of 717 coins and 428 medals of Alsace, a particular specialty of Meyer’s, shortly before the sale date, and its subsequent donation to the Bibliothèque Nationale.
Bourgoint and his sister were immortalized in Cocteau's classic Les Enfants Terribles as the troubled siblings whose relationship ended in disaster. Bourgoint was a member of Cocteau's close circle of friends, which included Berard, Maurice Sachs, Rene; Crevel and assorted others, many of whom were frequent users of opium. He later befriended Jacques Maritain and eventually settled in Cameroun, where he worked in a leper colony. The image is approximately 6.5" x 9" and is in very good condition and bears the Bourgoint ownership stamp. Although unsigned by Berard, the images is one of a series by the artist assembled by Bourgoint and sold in Paris in 1966. Henri Sauguet wrote at that time: "Bourgoint, a vingt ans...etait l'ami de Christian Berard et de Cocteau, qui s'inspire de sa vie pour "Les Enfants Terribles." Il se lie d'amitie avec Sauguet, Maritain, Crevel, Benoist-Mechin, d'Astier de La Vigerie, Maurice Sachs, Jean Hugo, tout l'entourage de Cocteau l'accueille, le fete. Il dessine beaucoup, puis soudain, il abandonne Paris, passe un temps a la campagne chez Jean Hugo, puis en 1947, entre la Trappe de Citeaux, d'ou il part en Afrique soigner les lepreux. C'est au milieu d'eux qu'il vient mourir. Cette collection est emouvante on y trouve...un ensemble tres important de Berard.
London: Chester (1922). 16pp. One of a series of short essays on composers, published by J. & W. Chester, Ltd. This example includes both and English and French version of the essay and includes several illustrations and a photographic frontispiece of Berners. Very good in stapled wrappers, covers lightly browned with a "With Compliments" stamp on cover. Quite uncommon.
Lisbao: Olisipo (1922). The second edition of these controversial poems, many of which are explicitly homosexual in content and which created a furor when published in this ediiton. The previous year, Botto had published the first edition of the poems, which were largely ignored until his friend Fernando Pessoa issued the present edition under his Olisipo imprint and publicly praised the poems. Conservatives reacted strongly against the poems, calling them "sodom's literature" and the book was banned by the authorities in 1923. Catholic college students clamored for a burning of the book, but Botto refused to apologize for his work. Botto was openly homosexual throughout his life and later struggled to survive by writing children's books and short essays. Pessoa, Portugal's pre-eminent modernist literary figure, considered Botto the only Portuguese poet worthy of the label "aesthete" and, as a critic and publisher, championed his work. Pessoa translated the poems into English, which were eventually published in 1948 (see below). To publicize the book, Pessoa wrote a provocative article, published in the journal Comtemporânea, (see below) praising the author’s courage and sincerity for shamelessly singing homosexual love as a true aesthete. Pessoa's article prompted the critic Alvaro Maia to excoriate Botto’s work, which was then followed by another article by Raul Leal (an openly homosexual writer, friend of Pessoa). Conservatives reacted and complained to the authorities about the work’s immorality ("Sodom's literature") and the book was confiscated by the authorities in 1923. The Liga de Acção dos Estudantes de Lisboa [Lisbon Students Action League], a Catholic college students group (lead by Pedro Teotónio Pereira) clamored for an auto-da-fé of Botto's book and someone even suggested the author should be hanged. Nevertheless, most artists and intellectuals promptly took up his defence in several polemic articles. Eventually, the scandal subsided, the next year the ban was lifted and until the end of his life Botto would publish several revised versions of the book. His work was applauded by Antonio Machado, Miguel de Unamuno, Camilo Pessanha, Virginia Woolf, Teixeira de Pascoaes, José Régio, Luigi Pirandello, Stefan Zweig, Rudyard Kipling, James Joyce and Federico García Lorca. A good copy in the original printed wrappers, with the original frontispiece photograph of the author, wear to spine and light edgewear. A laudatory review of Botto's work by Jayme de Balsemão appears at the end of the book. His work has been widely praised by fellow writers, including James Joyce among others. See also, Leal, Sodoma Divinisada, (see below) which praises Botto's courage for writing about gay subjects.
[London?] : Privately printed (1899). 28pp. Two dozen poems written by various members of the Brett clan, including several by Reginald Baliol Brett, Viscount Esher. Esher had been a student of William Johnson (later Cory) at Eton and author of the Uranian collection of poetry entitled Foam. Bound in a dark green crust levant binding by Riviere; stamped in gold on spine; top edge gilt and trimmed, spine a bit dulled, light browning to first page. Undoubtedly a vanity publication intended for friends of the family, no limitation given.
Paris: Black Sun Press (1929). Robert Carlton Brown (1886-1959) was an American author, journalist, publisher, and collector. He wrote an assortment of pulp fiction, non-fiction, cookbooks, avant-garde publications, and experimented with various styles of writing. 1940-1950 was published by the Crosby's Black Sun Press when Brown and his wife were involved in the expatriate literary community in Paris. Limited first ed., signed to Nancy Cunard. 150 copies total; this one signed and inscribed to Nancy Cunard (who, at the time, was running The Hours Press, which would soon publish Brown's book Words); Brown's inscription reads "To Nancy Cunard/ after reading her/ answers in the/Little Review/Bob Brown/Paris/ Oct 1929." A superb association copy of a book that became a kind of underground sensation, at least until reprinted by Jargon 30 years later. Condition: VG, in original glassine jacket. Some browning to edges, and some internal spotting/foxing, likely due to paper stock used. But a real rarity.
Paris: Roving Eye Press, 1931. Bob Brown, ed, Readies for Bob Brown's Machine (1931). Roving Eye Press, 1931. A very scarce anthology or collection, printed in France, with contributions (often brief) from the likes of Ezra Pound, William Carlos Williams, Kay Boyle, James T Farrell, Gertrude Stein, et al. Condition: Good, with chipping and splitting to paper at spine ends, droplet spotting and discoloration on front wrap.