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Berlin: Barsdorf (1919). 240pp. A history of the Eulenburg scandal, which received wide publicity and is often considered the biggest domestic scandal of the German Second Empire. It led to one of the first major public discussions of homosexuality and was the first occasion that the word "homosexual" was introduced into common usage. A good copy in boards, spine is damaged, original wrappers present.
Leipzig: Leipziger Verlag, . Fuchs was a leading member of the Scientific Humanitarian Committee and published a number of essays on homosexuality in various publications. He is particularly known for his work Richard Wagner und die Homosexualität, published the previous year. Keilson-Lauritz, Dis Geschichte der eigenen Geschichte; Eldorado 1984 @ 49; Hergmöller, Mann für Mann @ 257-58. Good in rather worn wrappers, wear at spine. Quite uncommon. $425.
Paris: Alyscamps Press (1994). The Ode was originally published in April 1926 in the Revista de Occidente and is considered one of the finest paeans to friendship in Spanis and Lorca greatly admired Dali's work for its symmetry, objectivity and lack of sentimentality. This English translation by Christopher Sawyer-Laucanno was issued in an edition of 100 signed broadsides (#22) and incorporates two half-tone photographs of the pair taken in the 1920s. Very good on handmade Zerkall paper (60 cm x 40 cm).
Trier (1942-1944) (3" x 4 1/4"). A unique WWII prison album of 15 black and white photographs and 1 negative documenting a romance between two French prisoners of war interned at the Stalag XII-D in Trier, Germany. Spanning a period between November 1942 and May 1944, most of the photographs and inscriptions on versos reveal a romance between Francis Garnier-Arnoul (the owner of the album) and a certain Christian. Among the inscriptions are the following: "Te connaitre, te voir, t'aimer. Bien douces choses Kiki. Gardons et profitons de ces jours heureux en souhaitant que cela puisse continuer. Ch" (To know you, to see you, to love you. Sweet things Kiki. Let's enjoy and always remember these hapy days withthe hope that this may last. Ch). "Trois jours que je ne t'ai vu. C'est long. Crois moi. Le soir je te verrai, et ma joie reviendra. Si tu pouvais lire en moi-meme maintent. Christian." (Three days I have not seen you. It's long. believe me. This evening I will see you, and my joy will return. If you could read me right now. Christian). "Unis par la pensee et par le coeur. Toujours l'un avec l'autre. Christian." (United by the mind and the heart. Always with each other. Christian) This wallet-size album contains five photographs showing the two lovers together (including one duplicate). Other photographs depict some of Francis' friends at the camp (Bruno, Louison, Elie, as well as a Dutch prisoner of war named Henk Timmer). Included are photographs indicating that the two lovers were part of the team publishing the Stalag newspaper. Five of the 15 photographs are inscribed by fellow prisoners of war who befriended Francis during their captivity. Most of the original photographs measure 2 1/2" x 3 1/2", with one measuring 2 3/4" x 2 1/2" . Very good, album is partly rubbed along edges, with paper string missing, most plastic sleeves to house the photographs are split or missing. Photographs in very good condition.
Daniel O'Connor, London. 1922. Hardcover. Cream colored buckram bindign with gilt decorative cover and spine, top edge gilt, decorative endpapers. Frontispiece portrait of Gay, plus fifteen full page illustrations and facsimile of original title page. (i)-xxiv, 91 pages, including Bibliography, Index and Notes. Endpapers lightly browned, covers lightly rubbed and marked. Very good. Reprinted from the 1716 first edition.
Paris: L'Édition Moderne . 287pp. A novel centered around the story of Antinoüs and his love for the Emperor Hadrian. One of several collaborations between the two accomplished authors. A good copy in decorative wrappers, light wear to covers with small chips and closed tears to wrappers. It appears the original wrappers have been tipped on to a replacement paper spine. Warmly inscribed by both authors on endpaper.
Cannes: Chez l'Auteur (1955). 4to. A lavishly illustrated collection of "reportages" on nudism, homosexuels and various louche activities in Lyon. Illustrated throughout by Julien Pavil, along with eight color lithographs of various amusing couplings. Introduction by Pierre Mac Orlan. A very good copy in wrappers, this copy is warmly inscribed by the author on front endpaper. Very good in a very good cardboard slipcase. One of 450 numbered copies, although considerably scarcer than this limitation would indicate. Warmly inscribed by Grancher on front endpaper.
Oxford: Blackwell (1919). Ten short prose pieces with a mildly homoerotic bent similar to those in his "Dream Comrades". Green was a member of the Uranian group of poets, which included John Gambril Nicholson and others. Very good in green boards, slight rumple to spine. Inscribed on title page by the author.
London: Rivingtons (1899). An uncommon collection of verse, some of which is highly Uranian in tone ("Behold the carven beauty of his brow, The mystic eyes that gaze so far away, The tender lips, the hyacinth hair of him, And moulded marvel of every limb!"). Hallard is also known for his translations of Theocritus. A good copy in faded boards, front hinge splitting a bit, inscribed by the author on endpaper. The front pastedown bears a penned notation on the recipient of the book.
Rome (1785; 1787). 2 vols. 8vo. Hardcover. A lovely set of these two classic erotic texts which originally appeared several years earlier. Each volume is illustrated with twenty-five engravings of a highly erotic nature, illustrating the erotic lives of various Roman emperors and Classical figures. The books are uniformly bound in full morocco, raised dentelles, marbled endpapers. Very good, light scuffing to spine of one volume, ocassional light browning.
(NP: ND). 43pp. Soft cover. A collection of the "coarser poems" of the seventeenth century poet. This appears to be an appendix to another edition, not present here. Although undated, the collection appears to date from the late nineteenth century, although perhaps a bit earlier, Very good in plain brown wrappers with penned label, covers a bit worn. An oddity, only weveral OCLC holdings.
London: Cassell (1939). 636pp. Hichens is perhaps best known as the author of the Green Carnation and his friendship with Oscar Wilde and Alfred Douglas. This lengthy novel opens with a visit by the protagonist to Magnus Hirschfeld's tomb in Nice, and one of the characters is inspired by Hirschfeld's partner and protégé, Li Shiu Tong. A very good copy in the original jacket, which has light wear small closed tears at edges, signature on endpaper and light browning to endpapers. Uncommon. The American edition was issued the following year.
London : John F. Shaw and Co., . 383pp. An historical novel about Gavestone, the favorite of King Edward II. It was alleged by medieval chroniclers that Edward II and Piers Gaveston were lovers, a rumour that was reinforced by later portrayals in fiction, such as Christopher Marlowe's late 16th-century play Edward II. An uncommon book, very good in illustrated boards, with light wear.
Sydney (1965). sm 4to. 120pp. The first book by the distinguished art historian on the work of this Australian painter and eccentric. Heavily illustrated appraisal of the romantic artist's oeurve, from his paintings in Bali to those of the many boys he surrounded himself with. Very good in very good jacket, spine sunned. Warmly inscribed by Friend to Robin Maugham on endpapers.
An original pen and ink drawing of two young lovers (3.5" x 3"). Matted and framed (8.25" x 8.5"). Philippe Jullian (1919 – 1977) was a French illustrator, art historian, biographer, aesthete, novelist and dandy. The drawing was likely used to illustrate one of the many illustrated books for which he became well known. Very good in gilt frame.
Paris: Impr. de J. Haumont (1945). 34pp. Sir Coleridge Arthur Fitzroy Kennard (1885-1948) was educated at Eton and circulated in Oscar Wilde's milieu (his mother financed the Epstein memorial for him at Pere Lachaise). He was also a great friend of Ronald Firbank and Vyvyan Holland and for many years was Firbank's most ardent supporter and literary confidant. One of several publications issued during his lifetime and surely one of the oddest- it might be argued that the book is in fact a spoof, created by a third party, to denigrate Kennard or bring amusement to others. The poems herein, all in English, are erotic to some extent, a number quite homoerotic: "O! let me calm/ Your fevered blood / Quick! Let me drink,/ Deep in the chasm,/ The growing flood/ Of your vast spasm!" One of 380 numbered copies, finely printed on Johannot, cream wrappers lightly worn. Rare.