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New York: Antinous Press (2007). 4to. 1st Edition. Hardcover. Beautifully presented collection of color photographs and artwork by the French artist, whose work remains largely unknown. The images are primarily of male nudes, many in outdoor settings, with surrealistic imagery. Introduction by David Deiss.
London: T. Wright, Essex Street, Strand; and Sold by G. Kearsley, No 46, near Serjeant's Inn, Fleet Street, (1776). folio. 7pp. A record of the famous Castlehaven sodomy trial in 1631, which fed on the “sodomite-hunting” that was rampant during the period. The 2nd Earl of Castlehaven was convicted of abetting the rape of his wife and of committing sodomy with his male servants and the trial was a spectacular sex scandal, resulting in the execution of Castlehaven and his servants. A report disbound from A Complete Collection of State Trials, this extractis chapter XXXI.
Capri: Cerio e Pignalosa (ND). 4to., 18pp. A large format illustrated history of Capri, published by Cerio's Le Pagine dell'isola series. The illustrations were done in the 1940s by Partricia Mertig and present mostly touristic perspectives of life on Capri, several of which are fully illustrated. Magazine format, folded with light edgewear and small tears. Uncommon.
Paris: Offenstadt (1904). 232pp. One of a series of sensational books by the good doctor, who describes in details assorted sexual practices in ""les pays chauds". With 25 illustrations of assorted females in various louche activities. Very good in original wrappers, some spotting throughout, covers lightly worn. Uncommon.
(13 1/4" x 10 1/2"). A lovely detailed pencil sketch of an adolescent boy with arms raised. Initialed "RNC" and dated 1922. The work dates to the first year of Chubb's return to his family home in Curridge- after having trained in a London art school. He spent the following year in the New Forest, visiting gypsies and painting many of the local inhabitants. The works is very good, framed and matted, Works from this period of this quality are quite rare.
London : Printed and published by John Fairburn,  and London, Printed and Pub. (for. F. O'Neill) by T. Dolby . Two quite rare pamphlets, both describing the events surrounding the arrest of Percy Jocelyn (1764-1843), bishop of Clogher; in 1811. Percy Jocelyn (1764-1843), bishop of Clogher was accused by James Byrne of "taking indecent familiarities" (possibly buggery) and of "using indecent or obscene conversations with him". Byrne was sued for criminal libel by Jocelyn and on conviction was sentenced to two years in jail and also to public flogging. Recanting his allegations at the prompting of the bishop's agent, the floggings were stopped. In 1822, Jocelyn was caught in an act of homosexuality with a guardsman in a London public house and he absconded to Scotland where he worked as a butler for the rest of his life. Edward Prime-Stevenson discusses the case in his classic survey of homosexuality, The Intersexes: "Even more dramatic is the history of another great Irish churchman, Bishop Jocelyn, of the See of Clogher, in the early part of the nineteenth century. Relatively a young man, though already advanced in dignity, Bishop Jocelyn was also an inborn uranian. After having had several homosexual relationships without detection, Jocelyn fell in love with a strikingly handsome young soldier, in the Life-Guards, stationed in the diocese, a trooper named John Moverly, who was also uranistic. The Bishop was handsome, genial, and a man of the world, though he filled his religious station becomingly. In 1822 the intimacy came to light. A great scandal ensued." See, Norton, Mother Clap's Molly House @217-222 Both pamphlets are bound in a contemporary 3/4 leather binding along with the colored frontispiece to the second volume.
Paris: Éditions Briant-Robert (1926). 4to. One of Cocteau's more interesting books, consisting of thirty-one line drawings composed while he was undergoing de-toxification for his longtime addiction to opium. The drawings are often surreal images depicting himself, sailors and dream images that are among his best work. Despite the limitation of 500 copies, the book is quite uncommon. One of an edition of 150 numbered copies on Hollande, signed by the author on the colophon. A near fine copy in original wrappers laid into a custom slipcase.
Montpellier: Luis Casinada (1998). A long poem by Cocteau illustrated with four original color gouache illustrations by Karen Thomas. The edition is printed on Japon paper and is limited to only 45 numbered copies, each signed by the artist and editor. A lovely production. Fine in stiff handmade paper wrappers.
Barcelona: Imprenta Henrich (1904). An exhaustive three volume survey of differences among Latin and Anglo-Saxon countries, with particular emphasis on the author's perception of "decadence." Of interest is a discussion of Oscar Wilde and other controversial individuals. Good in red cloth boards, spine a bit dulled and boards a bit marked.
Argentorati: in aedibus Vuendelini Rihelii (1548). , 111,  fol. Commines was a philosophical historian and has been called the "first truly modern writer" and a major primary source for 15th century European history. His life was a continuing drama of intrigues involving the royal houses of Burgundy and France, ultimately ending in his employ by Charles VIII of France. His series of memoirs have been hailed for their forthright and often cynical understanding of the dramas of his age. This volume, one of the last in the series, recounts the Italian wars. Very good, early paper wrappers, present but detaching, small chip to front wrapper, pages generally very good with some browning. Uncommon.
Paris (1964). 221pp. Soft cover. The autobiography of the famous French fabric designer, with mention of Poiret, Balenciage, Cocteau, and many others. One of an unknown number of special copies in a blue chiffon binding with pink borders, with a warm inscription by the author to the actor Marc Dantzer (an intimate in Cocteau's circle) on the title page. In addition, there is a special page bound into the book identifying the recipient. Very good in custom faux velvet fabric box.
Paris: NRF (1924). The first novel, largely autobiographical, of the "jeune homo surréaliste," published the year before he was diagnosed with tuberculosis. One of 1100 numbered copies, this example being #4. Very good in original brown wrappers, light edge wear. With the frontispiece illustration of Crevel by his lover Eugene Maccown.