Buenos Aires: Privately Printed (1959). A collection of erotic poems, including :"Sodoma'; "Safo"; "Giles de Rais"; "El Vamprio"; "El Divino Marqués" among others. Undoubtedly printed in a small edition, this example bears a long inscription from the author. Very good in lightly worn wrappers. Uncommon.
Capri (1944). Charming book about the legend of the blue lizard of Capri- "one of the most beautiful love stories of Capri" in the words of the author. Decorated throughout with woodblock illustrations, one of which is hand colored. Very good in illustrated wrappers. A charming and uncommon book. One of 1,000 numbered copies, although considerably scarcer than the limitation implies.
(13 1/4" x 10 1/2"). A lovely detailed pencil sketch of an adolescent boy with arms raised. Initialed "RNC" and dated 1922. The work dates to the first year of Chubb's return to his family home in Curridge- after having trained in a London art school. He spent the following year in the New Forest, visiting gypsies and painting many of the local inhabitants. The works is very good, framed and matted, Works from this period of this quality are quite rare.
Barcelona: Imprenta Henrich (1904). An exhaustive three volume survey of differences among Latin and Anglo-Saxon countries, with particular emphasis on the author's perception of "decadence." Of interest is a discussion of Oscar Wilde and other controversial individuals. Good in red cloth boards, spine a bit dulled and boards a bit marked.
Kensington: Cayme Press (1927). Soft cover. Uncommon ediiton of this early nineteenth century poem extolling the virtues of caning schoolboys. Introduction by Yvor Nichols. Printed by Philip Sainsbury, Henry Scott Tuke's nephew. One 450 copies issued. Very good in wrappers that have modest edgewear, penned notation on cover, small chip to rear cover, missing binding thread.
A very iconic photograph of the eccentric bohemian, taked at the Capri home of Islay Lyons and Kenneth Macpherson (and Norman Douglas). Cunard sports one of her famed ivory bracelets and creative hair nets. One of a series taken by Lyons at the same luncheon and likely the last time that they spent time together. Vintage photograph from the estate of Islay Lyons.
London: W.H. Allen & Co. (London) 1942. An interview between Nancy Cunard and George Padmore on the "colonial question" in which she articulates her own liberal views on "the race question." Very good in illustrated wrappers, light wear. Laid into a custom clamshell box, with the bookplate of Anthony Hobson.
Paris: Callman-Levy (c. 1910). The French edition of d'Annunzio's work, with a long and sincere dedication to his onetime lover, Romaine Brooks. Around 1909, Brooks and d’Annunzio met at a dinner given by an artist friend who was famous for his colorful posters and paintings. D’Annunzio commented that much more can be expressed without any color at all, and this prompted Brooks to invite him to see her work. Thus began a complicated friendship that lasted for nearly three decades and had a profound impact on Brooks’s art. She saw him as a martyred artist, another lapidé; he wrote poems based on her works and called her "the most profound and wise orchestrator of grays in modern painting". They spent the summer of 1910 in a villa on the coast of France, in a romantic interlude that was disrupted when D'Annunzio's jealous ex-mistress arrived in town. Their friendship remained strong throughout D'Annunzio's life and she painted his portrait in 1912. Very good in original wrappers, rebound in a full morocco signed binding, gilt top edge, gilt titling, very light scuff s, laid into a marbled paper slipcase.