Barcelona: La Vida Literaria (1903?). 95pp. One of a series of pseudo-scientific publications on salacious sexual subjects. This volume includes a bind-bending selection of topics, including sex with animals, "prostitución masculina... la pederastia....los putos de Buenos Aires....etc." Good in rather worn wrappers. Uncommon.
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Amsterdam and Paris: Aux depens d'une Socièté d'Amateurs [Marcel Seheur]. (1936). This uncommon and controversial text on pederasty bears an introduction by "Bramatos." The illustrations however are missing in this copy. Pia 12. One of 250 hand numbered copies, this example #26. Very good in original salmon colored wrappers and contemporary 3/4 leather binding. Quite uncommon.
Amsterdam: F. van Rossen (1908). 78pp. Aletrino was a prolific Dutch writer and a lecturer on criminal anthropology in Amsterdam and was one of the earliest Dutch advocates of homosexual rights, widely respected in his field. In 1903 he visited Magnus Hirschfeld in Berlin and discusses his observations in Hermaphrodisie en uranisme. See Bleys, The Geography of Perversion: Male-To-Male Sexual Behavior Outside the West. Very god in original wrappers, small signature on front cover, light sunning to edges, light spotting to foredge.
The artist, a bi-sexual Englishman, was one of the more prominent purveyors of nude male magazines and photographs in the post-war period, some of which earned him time in prison. He published magazines such as "Man to Man" and "Golden Boys" and assorted others, but he also self-published several books with more serious allusions, such as the "Superb Youth," series which attempt to cross the line into more conventional "artist's books." Notwithstanding this pretense, the books contain a wealth of well-endowed and quite attractive young men in assorted provocative poses. This profile portrait on “scraper board” measures 15.25” x 12”, signed “JB ’59” at lower left, a few light surface cracks.
London (1973). 50pp. 4to. An uncommon volume showcasing the work of gay-artist Jim French. Illustrated throughout with full-page pencil drawings. Jim French (1932–2017) was an American photographer, filmmaker and publisher who, under the pseudonym Rip Colt, created Colt Studio. French left a legacy of homoerotic images in photo sets, magazines, books and calendars that presented his work exclusively and set a new standard in photography of nude men. A fine copy in illustrated wrappers.
John S. Barrington (aka John Paignton) was a pioneering pornographer and bisexual photographer of male ""physique"" images in postwar Britain. He was routinely harassed by British authorities and spent time in jail for publishing gay muscle magazines. He was also an accomplished artist and much of Barrington's artwork appeared in his numerous publications, such as the Art and Anthropometry series. A very good example of his work, some wear to edges and paper, but very good otherwise. Unsigned.
London: Barrington (1970-71). Issues 1-4 of this short-lived publication, each limited to 250 copies. Barrington had been imprisoned for publishing pornography in the 1960s and issued these publications in a more limited way in order to avoid legal problems. Each issue contains images of male nudes printed on Barrington's lithography machine, bound in blue stapled wrappers. See Smith, Physique: The Life of John S. Barrington @184. Uncommon.
Two small photographs, one of Sylvia Beach and her longtime lover, Adrienne Monnier seated outside in a country setting ( "inked "49" on verso) and another of Beach's country retreat with a penned notation at bottom: "chalet de Sylvia Les Déserts Savoie". The latter is worn at edges with small loss at corners. Along with the following material: A membership card to the Société des Amis de Léon-Paul Fargue (dated 1950) with the inscribed name of Beach and her bookstore address (likely in her own hand); a folded invitation bearing Beach's name, inviting her to attend an exhibition of the work of Fargue on the 5th anniversary of his death; a publicity card for an Hommage a Léon-Paul Fargue; a copy of Correspondence Revue (dec., 1928) containing the essay "Le Théatre Élisabéthain" which pears a notation in the hand of Mauirice Saillet, along with her signature on first page.
NP: Aux dépens d'un amateur (1923) . 163pp. Beranger's erotic poetry is presented with 16 quite explicit hand-colored engravings, several of which are explicitly homoerotic. One of 250 numbered copies on vélin blanc de Montgolfier. Although not mentioned, the artist is Virot. An uncommon and outstanding book of erotic imagery. Very good in original wrappers, light wear to head and tail of spine. Pia 202. Dutel 1193.
London: Chester (1922). 16pp. One of a series of short essays on composers, published by J. & W. Chester, Ltd. This example includes both and English and French version of the essay and includes several illustrations and a photographic frontispiece of Berners. Very good in stapled wrappers, covers lightly browned with a "With Compliments" stamp on cover. Quite uncommon.
London: Mandrake Press (1929). 4to. 164pp. Hardcover. Reprinted from teh original English edition with an Introduction by KH Josling and numerous color illustrations by M. Leone. One of 550 numbered copies. Bound in full green parchment, all edges gilt, cover gilt design. A Lovely copy with sunning to spine.
Paris: Imprimerie Paul Dupont (1945). A portfolio of thirty-three images by Boullet, one of his more uncommon books. This example is one of only 25 numbered copies (XIV) of the tete de l'edtion, printed on Japon. Laid into the book is an original signed drawing by Boullet, as called for in the colophon. A very good copy in the original board chemise, with silk ties, light browning to covers with light wear to foredge. A lovely copy.