Amsterdam and Paris: Aux depens d'une Socièté d'Amateurs [Marcel Seheur]. (1936). This uncommon and controversial text on pederasty bears an introduction by "Bramatos." The illustrations however are missing in this copy. Pia 12. One of 250 hand numbered copies, this example #26. Very good in original salmon colored wrappers and contemporary 3/4 leather binding. Quite uncommon. More

[Saint-Denis: Impr. J. Dardaillon [c.1910]. 95pp. An uncommon English translation of this odd publication of the "vice in solitude." Very good in brown suede binding, title page not present. More

San Diego: Greenleaf (1972). One of the classic works by the pornographer, inscribed by the author on title page. Very good, small indentation to cover. More

Paris: Fort: Collection anti-clericale (ND). A re-edition of the original 1884 edition of this early gay novel, also issued by the same publisher. Very good in red wrappers with cover illustration by Léon Roze, small edechips and wear, penned notation on endpaper. Quite rare. More

New York (1978). Soft cover. lg. 4to. One of the more attractive of Avedon's book, this copy is inscribed by him on the front endpaper. Near fine in glassine wrappers, small penned ownership signature on endpaper. More

Hermitage (1992). Soft cover. One of fifty numbered copies. Very good in illustrated wrappers. More

John S. Barrington (aka John Paignton) was a pioneering pornographer and bisexual photographer of male ""physique"" images in postwar Britain. He was routinely harassed by British authorities and spent time in jail for publishing gay muscle magazines. He was also an accomplished artist and much of Barrington's artwork appeared in his numerous publications, such as the Art and Anthropometry series. A very good example of his work, some wear to edges and paper, but very good otherwise. Unsigned.(20" x 14") pen and ink. More

San Francisco: Running Elk (1966). A collection of forty-two homoerotic linoleum block illustrations by the Beat painter, Rick Barton and printed by Grabhorn-Hoyem Press on fine rag paper. The book was finished several months before Barton went blind in one eye and is a testament to his great talents as a creative artist. Some of the images portray his circle of friends, including his onetime lover Kenneth Anger, his publisher Harold La Vigne and his assistant David Nelson. The linocuts are printed on individual sheets and laid into a paper portfolio, signed by Barton and Nelson on the title page. The edition is one of 100 numbered copies. A very good copy in original brown wrappers. More

Faber & Faber London, 1945. A good copy in red boards, spine sunned. Mounted on front pastedown is a bookplate which is by Aubrey Beardsley for Thomas Edward Murphy. (See Lasner, The Bookplates of Aubrey Beardsley B23). More

Bourgoint and his sister were immortalized in Cocteau's classic Les Enfants Terribles as the troubled siblings whose relationship ended in disaster. Bourgoint was a member of Cocteau's close circle of friends, which included Berard, Maurice Sachs, Rene; Crevel and assorted others, many of whom were frequent users of opium. He later befriended Jacques Maritain and eventually settled in Cameroun, where he worked in a leper colony. The image is approximately 8.5" x 11" and is in very good condition and bears the Bourgoint ownership stamp. Although unsigned by Berard, the images is one of a series by the artist assembled by Bourgoint and sold in Paris in 1966. Henri Sauguet wrote at that time: "Bourgoint, a vingt ans...etait l'ami de Christian Berard et de Cocteau, qui s'inspire de sa vie pour "Les Enfants Terribles." Il se lie d'amitie avec Sauguet, Maritain, Crevel, Benoist-Mechin, d'Astier de La Vigerie, Maurice Sachs, Jean Hugo, tout l'entourage de Cocteau l'accueille, le fete. Il dessine beaucoup, puis soudain, il abandonne Paris, passe un temps a la campagne chez Jean Hugo, puis en 1947, entre la Trappe de Citeaux, d'ou il part en Afrique soigner les lepreux. C'est au milieu d'eux qu'il vient mourir. Cette collection est emouvante on y trouve...un ensemble tres important de Berard. More

Bourgoint and his sister were immortalized in Cocteau's classic Les Enfants Terribles as the troubled siblings whose relationship ended in disaster. Bourgoint was a member of Cocteau's close circle of friends, which included Berard, Maurice Sachs, Rene; Crevel and assorted others, many of whom were frequent users of opium. He later befriended Jacques Maritain and eventually settled in Cameroun, where he worked in a leper colony. The image is approximately 8" x 8.5" and is in very good condition and bears the Bourgoint ownership stamp. Although unsigned by Berard, the images is one of a series by the artist assembled by Bourgoint and sold in Paris in 1966. Henri Sauguet wrote at that time: "Bourgoint, a vingt ans...etait l'ami de Christian Berard et de Cocteau, qui s'inspire de sa vie pour "Les Enfants Terribles." Il se lie d'amitie avec Sauguet, Maritain, Crevel, Benoist-Mechin, d'Astier de La Vigerie, Maurice Sachs, Jean Hugo, tout l'entourage de Cocteau l'accueille, le fete. Il dessine beaucoup, puis soudain, il abandonne Paris, passe un temps a la campagne chez Jean Hugo, puis en 1947, entre la Trappe de Citeaux, d'ou il part en Afrique soigner les lepreux. C'est au milieu d'eux qu'il vient mourir. Cette collection est emouvante on y trouve...un ensemble tres important de Berard. More

Oxford: B.H. Blackwell (1892) 100pp. Bourdillon was a prolific poet and served as tutor to the sons of Prince Christian of Schleswig-Holstein at Cumberland Lodge for several years. He published thirteen collections of poetry between 1874 and 1921, as well as single poems and narrative verses, many of them anonymous and privately printed in limited editions. He is best-known today for the short poem “Light” (‘The night has a thousand eyes.”) Many of the poems demonstrate a distinct predeliction for fair haired boys. Very good in original wrappers, light wear, laid in is the prospectus for his Love Lies Bleeding. Rare in commerce. More

London: Kegan Paul Trench (1908). The first of a dozen books of verse by the Uranian poet written while he was acting as curate at a Protestant church in Paris. He was at the vanguard of the "aristocracy of comradeship" philosophy which held sway amongst many of his fellow Uranian poets. Very good in blue boards, bookplate, small penned signature, spine a little dulled. The title page bears a "presentation copy" stamp. Murray's List 13. More